I make interdisciplinary dance works. Many integrate objects, place and sensorial stuff. My process involves wide-ranging research and both serious and silly play. And my collaborators vary from project to project.

My past works have included dances choreographed to oral histories of immigration, a pageant set in an apple orchard, and a dance iteration of Foucault’s Corps Utopique. My current dance project centers on grain—how it is sown, gathered, cared, hoarded and lost. 

I am honored to sit (and move) on the board of advisors of The Field Center in Rockingham, VT, and I have served on the board of the Society of Dance History Scholars (now Dance Studies Association). I fancy writing about historical pageantry and embodied cognition, and I work daily as the Director of External Affairs at the Hopkins Center for the Arts at Dartmouth. I live with my family in the fields of Putney, VT.